NYC Calendar October 2015

Highlight of the month: John Zorn and Terry Riley festivals at National Sawdust

SATURDAY, October 3
7:30 PM Olivier Messiaen, Quartet for the End of Time
Jocelyn Ho, Aaron Kruziki, Regi Papa and Brian Sanders
http://www.jocelynho.com/steinwaywwii/
VENUE: Steinway Hall
ADMISSION: $25

FRIDAY – SUNDAY October 2-4
8:00 PM Laurie Anderson: Habeas Corpus
http://armoryonpark.org/programs_events/detail/laurie_anderson
VENUE: Park Avenue Armory
ADMISSION: $45, includes access to the installation

TUESDAY, October 6
8PM John Zorn Improv Night – A Stone Benefit
John Zorn (sax) Jon Rose (violin) Chuck Bettis (electronics) Ikue Mori (electronics) Okkyung Lee (cello) Francesco Mela (drums) and many special guests
VENUE: The Stone
ADMISSION: $20

WEDNESDAY, FRIDAY, SATURDAY, October 7, 9, 10
8PM John Luther Adams
http://www.millertheatre.com/events/jla-clouds
http://www.millertheatre.com/events/jla-for-lou-harrison
http://www.millertheatre.com/events/jla-white-silence
VENUE: Miller Theater
ADMISSION: $25-$40

THURSDAY, October 8
8PM Shelley Hirsch (voice) David Watson (guitar) Jon Rose (violin) Ches Smith (drums)

VENUE: The Stone
ADMISSION: $15

SUNDAY, October 11
8PM Sylvie Courvoisier (piano) Jon Rose (violin)

VENUE: The Stone
ADMISSION: $15

TUESDAY, October 13
8PM Malcolm Goldstein (Violin)
http://issueprojectroom.org/event/malcolm-goldstein

VENUE: Artists Space Books & Talks
ADMISSION: $12/$15

SATURDAY, October 17
7.30 and 9.30 PM Shane Endlsey
Shane Endlsey – trumpet
Uri Caine – piano
Nate Radley – guitar & pedal steel guitar
Matt Clohesy – bass
Gerald Cleaver ñ drums
VENUE: Jazz Gallery
ADMISSION: $12-$22

SATURDAY, October 17
10PM Hypercolor
Eyal Maoz (guitar) James Ilgenfritz (bass) Lukas Ligeti (drums)

VENUE: The Stone
ADMISSION: $15

TUESDAY, October 20
8PM Battle Pieces
Nate Wooley (trumpet) Ingrid Laubrock (sax) Sylvie Courvoisier (piano) Matt Moran (vibes)
VENUE: The Stone
ADMISSION: $15

TUESDAY, October 20
10PM Battle Pieces Meta
Nate Wooley (trumpet) Ingrid Laubrock (sax) Sylvie Courvoisier (piano) Matt Moran (vibes) Tim Berne (sax)
VENUE: The Stone
ADMISSION: $15

THURSDAY, October 22
8PM The Ex and Ken Vandermark
http://www.thebellhouseny.com/event/973387-ex-ken-vandermark-brooklyn/
https://www.facebook.com/events/1026025814087915/
VENUE: The Bell House
ADMISSION: $15

THURSDAY, October 22
8PM Baring Teeth Burning
Nate Wooley (trumpet and amplifier) C. Spencer Yeh (violin and voice) Ryan Sawyer (drums and voice)
VENUE: The Stone
ADMISSION: $15/$18

FRIDAY, October 23
8PM Nate Wooley (trumpet) Matt Shipp (piano)
VENUE: The Stone
ADMISSION: $15

SATURDAY, October 24
8PM Nate Wooley (trumpet) Zeena Parkins (harp and electronics) Joe Morris (guitar) P.A.L Ytton (drums)
VENUE: The Stone
ADMISSION: $15

SUNDAY, October 25
6PM Thomas Helton/William Parker

VENUE: Downtown Music Gallery
ADMISSION: Free

SUNDAY, October 25
10PM JOHN ZORN IMPROV NIGHT – A STONE BENEFIT
Nate Wooley (trumpet) John Zorn (sax) P.A.L. Ytton (percussion) Josh Sinton (bass clarinet) Matt Moran (vibes) Eivind Opsvik (bass) Harris Eisenstadt (drums)
VENUE: The Stone
ADMISSION: $20

FRIDAY, October 30
8PM Ron Anderson (bass, guitar, trumpet) Anthony Coleman (piano) Shelly Hirsch (voice) Sarah Bernstein (violin) Michael Evans (drums, electronics)
VENUE: The Stone
ADMISSION: $20

FRIDAY, SATURDAY October 30, 31
8:30 PM 80 years Barre Phillips / 15 years Trio Urs Leimgruber, Jacques Demierre, Barre Phillips
Urs Leimgruber saxophone
Jacques Demierre piano
Barre Phillips double bass

VENUE: Ibeam
ADMISSION:$15

Mary Kouyoumdjian’s Silent Cranes: Remembering the Armenian Genocide in Music

Memory is that which, in the end, never betrays.
Serhiy Zhadan

One of many questions triggered by Silent Cranes: The Music of Mary Kouyoumdjian, Performed by Kronos Quartet and Hotel Elefant presented on May 12 in Roulette, is the fragility of the boundary between political art and overt political statement. A descendant of a family that suffered from the Armenian Genocide, Kouyoumdjian shares Sartre’s belief in committed art, and, as Sartre suggests, in her works she recovers this world “by giving it to be seen as it is.”

Striving to approach controversial issues through the arts is apt in the case of the challenging topic addressed by Kouyoumdjian. Indeed, it is more common to learn about a century-old tragedy of the Armenian Genocide by experiencing artworks created by the exiled descendants of Armenians, rather than by means of a history lesson. I came to know about it from Ararat (2002), a film directed by an Armenian-Canadian Atom Egoyan, that shares many images and themes with Kouyoumdjian’s work: pomegranates, Arshile Gorky, Turkish soldier cutting the stomach of a pregnant woman, Hitler’s infamous inquiry, 1.5 million killed.

Kouyoumdjian’s music is able to transmit state of madness, exemplified in two portraits of genocide survivors – composer Komitas who suffered post-traumatic disorder after his deportation to a prison camp, and painter Gorky, who lost his mother to starvation. Sea of Two Colors (2011) transports the listener to the realm of a restless soul of Komitas; flowing piano trills of the sea can also be heard as dark sinister clouds that cover once clear mind of a legendary composer and, with a brief moment of transfiguration, dissolve into eternity. Gorky’s voice in Everlastingness (2015) sounds completely detached from the accompaniment (reminding of Schumann’s songs), as the protagonist, consumed by his memories, lives in a fever dream beyond reality.

Photo by Dominica Eriksen

Gorky’s ruminations didn’t engulf me as strongly as the last piece performed by Hotel Elefant: This Should Feel Like Home (2013) indeed felt like contemporary Armenia the way I imagine it, with all the imprints of the past. Folk melodies, marching band, distant voices, Orthodox church singing returning time and again – these recorded sounds naturally blended with their own reflections on the piano, flutes, clarinets, and strings.

The title piece of the concert, a four-movement multimedia work performed and commissioned by Kronos Quartet, seemed somewhat less integrated. The first movement appropriately introduced some highlights of Armenian cultural heritage: projected images of beautiful rugs and ceramics, traditional costumes and architecture, an old recording of Komitas music and his portrait on the screen. In the following movements pomegranates decomposed into blood as my ears submerged into survivors’ testimonies, my heart pierced with every word. I felt that these words were too numerous and too literal, leaving the music no role other than an accompaniment to a documentary film. After so many atrocities copied from real life and pasted into the piece, some of the conclusions in the last movement seemed redundant. Shocked by the work’s content, I felt imprisoned by the abundance of words. One of my inner voices resisted the idea that the facts, the images, the narrative and the conclusions were all thrown into my face so literally, leaving no room for reflection.

Photo by Dominica Eriksen

I’ve always believed that art should favor the figurative over the discursive, especially in the music; but further reflections on Kouyoumjian’s Silent Cranes proved that its case might be different. The piece bears many similarities with Schoenberg’s A Survivor from Warsaw (1947), famously criticized by Adorno for its literal depiction of suffering. The subject in each piece is personal to both composers, both works are based on the reports of survivors (although Survivor has a fictional narrative and it is not clear whether any reports at all are quoted directly), and the text is clearly recited. Moreover, both works stress the role of memory, although, ironically, in Schoenberg’s, written right after the Holocaust, the narrator “cannot remember everything,” while Kouyoumjian digs a hundred years into the past to give voice to someone who “was young, but still remembers.” One more twist of irony: in 1915, The New York Times systematically reported on the mass murder of the Armenian people, while the atrocities of the Holocaust were not immediately disclosed. And what do we remember today? Perhaps the artists who address the events forced into oblivion by the political will, have a right to be fully committed (i.e. realistic) – this is the only way time can lose its battle to memory.

Erlena Dlu

NYC calendar March 2015

Highlight of the month: The Stone residencies
SYLVIE COURVOISIER (MAR 10—15) and GUY KLUCEVSEK (MAR 17—22)

THURSDAY, March 5
8 pm Guy Klucevsek & Phillip Johnston Duo

Guy Klucevsek (accordion) Phillip Johnston (soprano sax)
Compositions and improvisations.
VENUE: The Stone
ADMISSION: $15

SATURDAY, March 7
9 pm Kronos Quartet
Program:
MERLIJN TWAALFHOVEN On Parole (World Premiere)
BRYCE DESSNER Tenebre
DEREK CHARKE Dear Creator, help us return to the centre of our hearts (World Premiere, co-commissioned by Carnegie Hall)
ALEKSANDRA VREBALOV / BILL MORRISON Beyond Zero: 1914–1918 (for quartet with film) (NY Premiere)
VENUE: Carnegie Hall, Zankel Hall
ADMISSION: $55 – $65

SUNDAY, March 8
8 pm Ned Rothenberg & Phillip Johnston Duo
Ned Rothenberg (woodwinds) Phillip Johnston (soprano sax)
Compositions and improvisations.
VENUE: The Stone
ADMISSION: $15

TUESDAY, March 10
8 pm MALPHAS-Sylvie Courvoisier and Mark Feldman playing Book of Angels
Mark Feldman (violin) Sylvie Courvoisier (piano)
Masada compositions by John Zorn.
VENUE: The Stone
ADMISSION: $15

WEDNESDAY, March 11
7 pm Mivos Quartet with composer/soprano Kate Soper

Music of Berg, Gesualdo, Iannotta; a world premiere by Kate Soper

VENUE: The Italian Academy
ADMISSION: Free

FRIDAY, March 13
8 pm Mephista
Sylvie Courvoisier (piano) Ikue Mori (electronics) Susie Ibarra (drums)
10 pm
Mephista + Nate Wooley
Sylvie Courvoisier (piano) Ikue Mori (electronics) Jim Black (drums) Nate Wooley (trumpet)
VENUE: The Stone
ADMISSION: $15 (each set)

SATURDAY, March 14
8 pm Sylvie Courvoisier and Mark Feldman Duo
Sylvie Courvoisier (piano, compositions) Mark Feldman (violin, compositions)
Sylvie Courvoisier-Mark Feldman DUO playing their own music from their CDs “Live at theatre vidy-Lausanne” and new compositions.
10 pm
Sylvie Courvoisier New Graphic Scores
VENUE: The Stone
ADMISSION: $15 (each set)

SATURDAY, March 14
9 pm & 10:30 pm Michael Formanek
Tim Berne, alto sax; Brian Settles, tenor saxophone, flute; Jacob Sacks, piano; Michael Formanek, bass; Dan Weiss, drums
VENUE: Cornelia street cafe
ADMISSION: $10 cover plus $10 minimum

SUNDAY, March 15
8 pm Sylvie Courvoisier Solo
Sylvie Courvoisier (piano, compositions)
Playing music from her solo album “Signs and Epigrams” on Tzadik Records + new pieces and improv.

10 pm
Sylvie Courvoisier, Mark Feldman, Ned Rothenberg TRIO
Sylvie Courvoisier (piano) Mark Feldman (violin) Ned Rothenberg (clarinet)
VENUE: The Stone
ADMISSION: $15

MONDAY, March 16
8:30pm Lukas Ligeti, percussion and Thollem McDonas, piano
VENUE: Spectrum
ADMISSION: $15

TUESDAY, March 17
8 pm The Klucevsek/Bern Unit
Alan Bern (accordion, piano, melodica, compositions) Guy Klucevsek (accordion, compositions)
VENUE: The Stone
ADMISSION: $20

WEDNESDAY, March 18
8 pm Teetering on the Verge of Normalcy
Peter Brown, Kamala Sankaram (voices) Jed Distler (toy piano, piano) Todd Reynolds (violin) Guy Klucevsek (accordion, compositions)
Music for collaborations: Chinoiserie (Ping Chong), Fallen Shadows (Karen Bamonte), Industrious Angels (Laurie McCants), Ruth Doesn’t Live Here Anymore
(Lionel Popkin)
VENUE: The Stone
ADMISSION: $20

THURSDAY, March 19
8 pm Solo Accordion Music 1982-2013
Guy Klucevsek (accordion, compositions)
VENUE: The Stone
ADMISSION: $20

FRIDAY, March 20
8 pm The Bantam Orchestra
Pete Donovan (bass) Erik Friedlander (cello) Mary Rowell (violin) Guy Klucevsek (accordion, compositions)
Music from Citrus, My Love (rec/rec swiss), Stolen Memories (Tzadik), and Flying Vegetables of the Apocalypse (XI)
VENUE: The Stone
ADMISSION: $20

SUNDAY, March 22
3 PM Meredith Monk and Friends
Performers:
Bang on a Can All-Stars, Don Byron and Guests, Lukas Ligeti, Meredith Monk and Vocal Ensemble, Missy Mazzoli and Victoire, John Zorn and Cyro Baptista
All-Meredith Monk program
VENUE: Carnegie Hall, Zankel Hall
ADMISSION: $43 – $50

WEDNESDAY, March 25
7:30 pm Neighborhood Concert: Cyro Baptista’s Banquet of the Spirits
VENUE: Harlem Stage Gatehouse
ADMISSION: Free

WEDNESDAY, March 25
7:00 pm Quartetto Maurice
Music by Andrea Agostini, Steve Reich, Fausto Romitelli, and a world premiere by Ryan Carter
VENUE: The Italian Academy
ADMISSION: Free

NYC Calendar February 2015

THURSDAY, February 5
7:30PM Electric Voices!: Pamela Z and Joan La Barbara in Concert

VENUE: David Rubenstein Atrium at Lincoln Center
ADMISSION: FREE

SUNDAY, February 8
8 pm Dunkelman-Kaiser-Mori-Zorn Quartet
Nava Dunkelman (percussion) Henry Kaiser (bass) Ikue Mori (electronics) John Zorn (sax)
VENUE: The Stone
ADMISSION: $20

TUESDAY – SUNDAY, February 10-15
John Zorn’s week at the Village Vanguard
VENUE: Village Vanguard
ADMISSION: $30

WEDNESDAY, February 11
8PM Synth Nights: Eli Keszler
Featuring performances by Leila Bordreuil and Mariel Roberts (cello), Tom Chiu (violin), Anthony Coleman (piano), Eli Keszler (drums), and Geoff Mullen, (guitar, controls).
VENUE: The Kitchen
ADMISSION: $15

THURSDAY, February 12
8PM John Zorn with Talea Ensemble, Tyshawn Sorey & Ikue Mori | Ecstatic Music Festival
John Zorn’s “Prophetic Mysteries” for solo flute and two foley performers, and features Ikue Mori and the world premiere of a new trio for piano, bass and drums featuring Tyshawn Sorey and Trevor Dunn along with Talea pianist Stephen Gosling. Also featured will be two of Zorn’s classic game pieces, Rugby and Hockey, the latter including John Zorn on saxophone. Talea will perform the ensemble work “Bateau Ivre,” composed for Talea, and the world premiere of a new string trio.
http://www.kaufmanmusiccenter.org/mch/event/ecstatic-music-festival-john-zorn-talea-ensemble-tyshawn-sorey-ikue-mori
VENUE: Kaufman Music Center
ADMISSION: $25/$15

WEDNESDAY-SATURDAY, February 11/12/13/14
09:00 PM – Matt Mitchell 4tet
Matt Mitchell – Piano
Chris Speed – Ten Sax/Clar
Chris Tordini – Bass
Dan Weiss – Drums
VENUE: Seeds
ADMISSION: $15

FRIDAY, February 13 and MONDAY, February 16
8 PM | 7:30 PM Ensemble ACJW
Program:
• ROUSSEL Trio for Flute, Viola, and Cello, Op. 40
• MEREDITH MONK Backlight (World Premiere, commissioned by Carnegie Hall)
• RAVEL Piano Trio in A Minor
VENUE: Arthur Zankel Music Center, Helen Filene Ladd Concert Hall
ADMISSION: check with the venue

TUESDAY, February 17
8 pm Uri Caine (piano) Tim Berne (sax) Ches Smith (drums)
VENUE: The Stone
ADMISSION: $15

SATURDAY, February 21
7:30 PM Symbiosis II: Music from Australia
Performers: Voice (Jane Sheldon), piano (Lisa Moore), and clarinets (Eileen Mack)
Program: Beat Furrer: Invocation VI (2007) for soprano & bass flute 9′ David Lang: vent (1990) for flute & piano 8′ David Bedford: Come in here child (1968) for soprano & amplified piano 9′ Inés Thiebaut: cuncta fluunt (2013-14) for soprano & flute 5′ Claude Vivier: Hymnen an die nacht (1975) for soprano & piano 6′ Beat Furrer: Presto con fuoco (1999) for flute & piano 8′ Maurice Ohana: Deux Incantations (1996) for soprano, flute & piano 10′
VENUE: Spectrum
ADMISSION: $10-15

SATURDAY, February 21
8 pm Dragnet
Uri Caine (piano) Erik Friedlander (cello) Clarence Penn (drums)
VENUE: The Stone
ADMISSION: $15

SATURDAY, February 21
8:30 PM Katja Cruz & Howard Curtis w/ Darius Jones

Katja Cruz – vocals
Howard Curtis – drums
Special Guest – Darius Jones – Saxophone
ADMISSION: $15
VENUE: ibeam

SUNDAY, February 22
8 pm IMPROV NIGHT—A STONE BENEFIT
Uri Caine (piano) John Zorn (sax) and many special guests
VENUE: The Stone
ADMISSION: $25

TUESDAY, February 24
6PM JACK Quartet
Program: Georg Friedrich Haas String Quartet No. 8 (2014) U.S. premiere
VENUE: Miller Theatre at Columbia University
ADMISSION: FREE

NYC Calendar: June 2014

Highlight of the month: Vision Festival

THURSDAY, June 5
10 PM Nate Wooley, Joe Morris, Agusti Fernandez, Ben Hall
VENUE: The Stone
DETAILS: Nate Wooley (trumpet) Joe Morris (guitar) Agusti Fernandez (piano) Ben Hall (drums)
ADMISSION: $15

FRIDAY, June 6
8 PM John Zorn, Joe Morris, Nate Wooley, Ikue Mori – A Stone Benefit
VENUE: The Stone
DETAILS:
John Zorn (alto sax) Joe Morris (guitar) Nate (trumpet) Ikue Mori (electronics)
ADMISSION: $25

FRIDAY, June 6
9 PM Brad Linde & BANFF Alumni with special guest Wadada Leo Smith
VENUE: Seeds
DETAILS:
Brad Linde – tenor saxophone
Patrick Booth – tenor saxophone
Erika Dohi – Rhodes
Jonathan Taylor – drums and cymbals
*special guest Wadada Leo Smith – Trumpet
ADMISSION: check with the venue

SUNDAY, June 8
7:30 PM Birthday Concert of Two Raga Legends
VENUE: Jack
DETAILS: Pt. Krishna Bhatt – Sitar, Pt. Anindo Chatterjee – Tabla
Brooklyn Raga Massive, Gurukul and ACST
ADMISSION: $20-$30

WEDNESDAY, June 11
7:00 PM Vision Festival 19, Charles Gayle – A Lifetime of Achievement
VENUE: Roulette
DETAILS: Charles Gayle Trio + Dance, Charles Gayle Quartet, & The Vision Orchestra
ADMISSION: $20-30

THURSDAY, June 12
9:15 PM Ned Rothenberg’s Cardinal Points
VENUE: Roulette
DETAILS:
Ned Rothenberg – alto saxophone, clarinet, bass clarinet, shakuhachi
Gamin – piri, taepyeongso (Korean double reed instruments), saengwhang (Korean mouth organ)
Samita Sinha – vocals, performance
ADMISSION: $20-30

THURSDAY, June 12
10:15 PM Brotzmann/Drake/Parker Trio
VENUE: Roulette
DETAILS:
Peter Brötzmann – reeds
Hamid Drake – drums, percussion
William Parker – bass
http://roulette.org/events/vision-festival-19/
ADMISSION: $20-30

FRIDAY, June 13
10 PM Onset
VENUE: The Stone
DETAILS:
Briggan Krauss (alto sax) Mary Halvorson (guitar) Wayne Horvitz (keyboards) Ches Smith (drums)

ADMISSION: $10

SATUDAY, June 14
10 PM 300 and Elliot Sharp
VENUE: The Stone
DETAILS:
Briggan Krauss (alto and baritone saxes) Wayne Horvitz (keyboards) Elliot Sharp (guitar) Kenny Wollesen (drums)
ADMISSION: $15

Saturday June 14
8:15 PM Matthew Shipp Trio
VENUE: Roulette
DETAILS:
Matthew Shipp – piano
Michael Bisio – bass
Whit Dickey – drums
ADMISSION: $20-30

MONDAY, June 16
9:00 PM Frauke Aulbert voice + Shanna Gutierrez flute
VENUE: Spectrum
DETAILS:
Preliminary program: Beat Furrer (*1954): Auf tönernen Füssen (1998) for amplified voice and contraalto flute Francisco Castillo Trigueros (*1983): Sûr les debris (2013) for bassflute and 4-channel-live-electronics Luigi Nono (1924-1990): La Fabbrica illuminata (1964) for soprano and 4-channel-tape Luciano Berio (1925-2003): Altra voce (1999) for soprano, flute and live-electronics
ADMISSION: $10-15

WEDNESDAY, June 18
8 PM Elizabeth Weisser—Densities and Light
VENUE: The Stone
DETAILS: Elizabeth Weisser (viola)
Giacinto Scelsi: “Coelacanth” (1955) Arcangelo Corelli: “Sonata no. 5, op. 5” (1700) Salvatore Sciarrino: “Di volo” (1974) Don Carlo Gesualdo: “Questi leggiardri odorosetti fiori” (1594) Niccolo Paganini: “Caprice #17” (1802-1817) Pierluigi Billone: “ITI KE MI” (1995) *US Premiere
ADMISSION: $15

FRIDAY, June 20
7 PM Terry Riley and Friends at the River to River Festival
VENUE: Federal Hall
DETAILS: Composer Paola Prestini curates the second iteration of the Ex-Situ series and showcases work created and inspired by Terry Riley with a quartet formed just for this occasion: Cornelius Dufallo, Jenny Choi, Ljova and Jeffrey Zeigler.
http://o-m-w.org/events/ex-situ-terry-riley-friends/
ADMISSION: check with the venue

MONDAY, June 23
8 PM – 11PM Garth Knox
VENUE: The Stone
DETAILS:
8 PM Part One: Solo
Garth Knox (viola, viola d’amore) with special guest Melia Watras (viola)
Works by Frederic Rzewski, Rory Boyle, Olga Neuwirth, Garth Knox, John Zorn.
9 PM Part Two: Duos
Garth Knox (viola, viola d’amore) John Stulz (viola) Mark Feldman (violin)
Works by George Benjamin, Garth Knox, Mark Feldman.
10 PM Part Three
Garth Knox (viola, viola d’amore) Equi(k)nox Ensemble
Works by Garth Knox and John Zorn.
ADMISSION: $15 per set

MONDAY, June 23
7 PM Kimmo Pohjonen and Jeffrey Zeigler at the River to River Festival

VENUE: Pier 15
DETAILS: Inspired by the lure of Aokigahara – which has long been associated with demons and spirits in Japanese mythology, and in recent years has become a popular place for suicides – innovative Finnish accordion player Kimmo Pohjonen and former Kronos Quartet cellist Jeffrey Zeigler collaborate to weave a potent and energetic musical tapestry rife with hope, faith, and resignation.
http://o-m-w.org/events/ex-situ-kimmo-pohjonen-jeffrey-zeigler/
ADMISSION: check with the venue